THE CHENILLE SCARF (09/16/2013)
June Hudson created the new design that was no doubt part of John Nathan-Turner's vision for a more polished production. It's the big one, but thanks to a width of only 42 stitches and aran weight yarn, it knits fairly quickly - unless you're lucky enough to find chenille yarn, which can be troublesome to knit.
Some confusing photos lead me and others to believe there were at least two screen-used scarves. There might have been, but the pattern above represents the one that was definitely seen on screen. It has some subtle differences to the previous pattern that was on this site, itself an adaptation of the official pattern distributed by the BBC in the 1980s. The S18B pattern is gone as it was a collection of misinterpretation, and nobody was knitting it anyway.
There were also some scarves knitted for exhibition, but there are no plans to include those patterns here.
The primary pattern update is to the sections that are actually sequences of single color rows instead of single color ridges. This fact was ignored by the official BBC pattern and largely unnoticed by fans until things were set right by scarf enthusiast and classic Doctor Who artist Alister Pearson, who has contributed greatly to this section of the site. It's amazing that there are still things left to sort out about this scarf after all these years.
Yet another quandary has been solved. Well, something closer to the truth anyway. Previously the recommendation was 14 tassels spaced evenly on 42 stitches, but it appears there are actually more. The new plan is a whopping 21 tassels! It's practically fringe. Create each of these mini tassels with one strand of each color. Tie them to every other stitch to space evenly. The tassels appear to have been tied on backwards as well. The loop that the strands are pulled through is on the back rather than the front. This is a very minor detail (possibly an error by the original knitter).
The edges of the scarves have a crocheted slip stitch border along the length of each side in rust. The S18B scarf sometimes appears to have only one border, but it is merely the border curling towards the front side of the scarf. Look closely in the photo of Janet Fielding below, and you can see the rust yarn peeking through the back near the edge where the border can't otherwise be seen. Some exhibition versions of the scarf have a purple border.
See more about crocheting the edge here.
A recent review of the original yarn samples for this scarf has been helpful in curbing some misconceptions about the colors. Generally, the rust is quite close to the red in the original 7-color scarf only slightly more orange. The wine is a very slightly violet burgundy (not too purple, though). The purple is virtually the same as that of the original 7-color scarf. The important thing to remember is that the contrast between these colors is low.
The original yarn information has been hiding in plain site right on the old pattern (with errors, mind) distributed by the BBC in the 1980s. These are Sirdar Chenille (acrylic/wool blend) 523 Rust, 525 Wine and 526 Plum. Though there might have been color reformulation, Sirdar continued to use identical color number designations at least through the 1990s for all chenille. The core is black rather than the same color as the pile fibers. It is slightly glossy. Samples of indeterminate year have been used for making the color suggestions on this page. They're a very good indicator of what the colors should most likely be.
I've noticed that many fans' replicas get the wine wrong. It ends up being far too red. This is reinforced by two things. First, the reflective nature of chenille fiber causes "bloom" on film. This brightens and shifts the hue in photos to the familiar deep red (see the photo of Janet Fielding below with this effect). Second, Lion Brand Suede was a popular yarn choice (now discontinued) for knitting replicas, and one color concession was that a deep red had to be subbed for the true burgundy. Unfortunately, the Lion colors continue to influence.
Under decent lighting and without color grading, the colors on video are truer in relation to each other (hues shift but equally) than vintage film or print. It's not reliable enough to actually choose colors by, but the unaltered screen grabs below give a better sense for how this scarf should look.
You can also use free paint chips found in hardware stores as a guide. These by Behr are quite close.
|PPU2-2 Red Pepper
GLR29 Deep Garnet
S-G-690 Delicious Berry
YARN RECOMMENDATIONS (07/01/2013)
If you can find aran weight Sirdar chenille, well, lucky you! The next best thing will be locating some Crystal Palace cotton chenille in the hopelessly discontinued colors of 5137 Cinnabar, 4021 Red Velvet and 9719 Plum. Cinnabar and Red Velvet will be a bit lighter than the real thing, and the weight of this yarn is thinner (only worsted).
Lion Brand Suede is a little heavier than the right weight and has pretty good colors - Garnet, Eggplant and Spice. The contrast was a little too high between the colors, Eggplant needed to be more of a red-violet. Garnet is too light and red. Spice is exactly perfect. You will need to hunt for it on eBay and elsewhere as it is no longer produced.
I have been investigating industrial acrylic chenille, which is available on cones. The perfect trio of colors has not been found so far, but if you decide to search, the weight you'll want is around no lighter than 900 ypp and no heavier than 700 ypp (yards per pound).
Casco Bay Cotton Chenille (07/01/2013)
In spite of no spot on color matches, this is probably the best overall option that is currently available. Order the aran weight option and probably knit on a US #8. Overall the palette runs a bit lighter than the actual scarf, and the purple hue is a bit too maroon. It's easier to knit than Texere.
|a bit orange and too light
too light and reddish
Texere Plush Chenille (07/01/2013)
These colors are quite good - in some ways better than Lion Brand Suede. The best part is that they're readily available online. The worst part is that it's a bear to knit - not for those inexperienced with chenille. It's aran weight acrylic and will generally work on a US #8. Overall the palette runs a little lighter than the actual scarf.
|good hue but desaturated and too light
too light, dilute burgundy, slightly pinkish
could be a bit bluer
virtually indistinguishable from Merlot
Lion Brand Jiffy (09/02/2013)
This non-chenille option has better colors than Lion Brand Suede. It's fuzzy and has sufficient bulk relative to light weight making a fair substitute for chenille. It's very easy to find in craft stores and online. The last time I edited this, I transposed Chili for Paprika. Truly sorry about that. It was actually Wine that was to have replaced Chili. It's fixed now.
|perfect but discontinued (still available here and there for now)
pretty good but too blue
Worsted Acrylic (05/01/2012)
This option is even farther removed from chenille, but the colors are practically perfect. Experiment with needle sizes to reach the desired width. These selections are a wee bit under aran weight.
|Knit Picks Brava Worsted
Red Heart Soft Yarn
Knit Picks Brava Worsted
Red Heart Soft Yarn
Red Heart Soft Yarn
Deborah Norville Everyday Soft Worsted
Knit Picks Brava Worsted
4608 Wine (too red)
25720 Currant (lower contrast with wine)
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